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Operapaedia - Reference Desk |
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Voice Types in Opera
[Please note that judging whether a role or a voice-type is one thing or another can be a very subjective exercise. This list of voice types attempts to be conservative in terms of defining qualities and musico-dramatic demands, opting for traditional modes of casting which, in the real operatic world, do not
always occur! For instance, the role of Don Giovanni is considered a baritone role, but is often sung quite successfully by a bass-baritone or even a bass. Carmen was written as a mezzo-soprano role but has been sung by sopranos. And in Germany, the Mozart tenor roles are more often cast 'heavier' than we would cast them in the United States. Voice categorization can, therefore, be quite frustrating and confusing. With that in mind, here we go…]
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